To understand, appreciate & finally fall in love with the beauty of the Nyonya Kasut Manik, one has to delve back into the annals of Malaccan history a little.
Way back in the 15th century when Malacca (a historical town in Malaysia which was declared a UNESCO World Heritage Site in 2008) was a thriving port, traders from all over the world would converge at its river mouth to ply and trade their wares.
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“Peranakan refers to the descendants of the early Chinese community who settled in the Malay Archipelago and who has integrated with the Malays in this region."
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The upbringing of a Nyonya, as eloquently described by art historian Dr. Khoo Joo Ee went something like this: she was guarded and confined to utter domesticity, spending all her time acquiring housekeeping skills. Tasks like sewing and
cooking were done over and over in order to prepare the Nyonya for her ultimate role – that of a perfect housewife. If her parents could afford it, the Nyonya was home tutored by British women. She never went anywhere without a 'bodyguard' in tow, and the only time an unwed Nyonya was seen in public was on the 15th day of the Lunar New Year.
Aside from lessons in wifely and home making duties, grooming and cooking, a Nyonya also learnt genteel crafts like flower making, embroidery, fashioning food covers, handkerchiefs, pillow ends, bags, assorted decorative items, and many other objects of beauty.
Given such a strict, letter-perfect and unblemished upbringing, it was only natural that the Nyonya would be endowed with one very distinguishable feature – her attention to the minutiae of everyday life, which encompassed everything she was responsible for.
Her handicraft had to be perfect, meticulous, refined and beyond reproach; anything less would indicate sloppiness and reflect badly on herself.
Aside from lessons in wifely and home making duties, grooming and cooking, a Nyonya also learnt genteel crafts like flower making, embroidery, fashioning food covers, handkerchiefs, pillow ends, bags, assorted decorative items, and many other objects of beauty.
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Her handicraft had to be perfect, meticulous, refined and beyond reproach; anything less would indicate sloppiness and reflect badly on herself.
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Such shoes were ‘de rigueur’ for social occasions like weddings and reunions and woe betide a Nyonya who wore anything else with her coiffed hair, accessories, kebaya labuh or Nyonya kebaya! (traditional costumes of the Nyonyas)
The art of making these shoes are still kept alive today by the descendants of those who settled down in the Straits of Malacca centuries ago. Designs have evolved in tandem with current fashion trends, but the precision in which the beads are hand-sewn to swatches of cloth are fiercely maintained.
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Steppin’ Out (www.facebook.com/steppinout.estore) is proud to offer our customers our line of Nyonya beaded dance shoes. Take a piece of art, history and culture onto the dance floor with you, whether it be for a party or a dance competition!
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